More UNITED than we realize!
THE KAMEA OF SATURN: the foundations of Astrology, I Ching, Swastikas, Major Religions, Masonic Symbolism
The search for the secrets of the Esoteric Science is not as easy as I may have portrait the process in my previous posts. It is as difficult if not infinitely more so then any classroom study can be. However difficult the classroom curriculum may be to grasp it is still a regimented course of study outlined in books with additional commentary by the teacher/instructor. The process is known and merely being relayed to a new generation of students. Whereas, the Esoteric Science is the road not taken because it is barren of all signpost up ahead as to how to proceed in making new inroads into its unfathomable depths. There is no Guru, Wiseman, sage, mystic, saint, angel or all around know it all waiting along the way to serendipitously help the struggling initiate: so do not go looking for one: you may get what you pray for and then you will rue that day. God is your only companion when you search for Him for only He knows who and what He is. And He is a very jealous God for He will not have any other gods before Him. Simply what this means is that as long as you do not entertain God with your attention God will not be available to you. Say you are on a date, or at a movie or entertaining friends and having an all around good time: these are other gods in the eyes of God. You want a beautiful house, children, fast cars or fast women or gigolo men: these are other gods in the eyes of God. What ever your gig is no matter what it is if it has nothing to do with God then those thoughts, words and deeds are other gods in the eyes of God. As sorrowful as it is to say these things, they must be said: the truth must be relayed: dam the torpedoes full steam ahead, there are no half measures when searching for the deep things of God: transcendent. When you finish whatever it is you are doing then return to your researches: everyone deserves a time-out: recess but do not be away too long: you will pay and pay dearly.
The personal discovery of the Kamea of Saturn is a case in point as to the difficulty in making inroads to the Esoteric Science. When I began the mathematical analysis of Dante Alighieri’s La Divina Commedia and I reached the point of knowing that there was science behind the work: i.e. the pattern in the Volumes and Sum-Digits I had come to a complete stop and could not envisage how to proceed. I could envisage that the Volume pattern was vertical and Sum-Digit pattern was horizontal and in my mind-eye I could clearly see the process. But try to put that process into words is a poor thing but I did just that and summit the manuscript for copyright. I would later discovery that a Juan Roberto Sarolli of Italy had gone as far as I had in Dante’s mathematics but he also stopped at that point. Immediately after sending in the paper for copyright I had a recollection of of a childhood experience where my father came home with a brainteaser concerning placing the first nine numbers into the 3 x 3 square: tic-tac-toe grid where the first nine numbers are so placed throughout it that they added up to fifteen (15) vertically, horizontally and diagonally. I was about fourteen or fifteen at the time but it had only taken me 10-minute to my father’s surprise to work out the solution.
But the memory of that tic-tac-toe grid was the device I needed to place Dante’s mathematics into to explain my discovery. I would later in my researches discovery that Dante had to use a similar grid: The Kamea of Saturn to facilitate his mathematical cosmology. And in studying the 3 x 3 grid I was able to discern many patterns even to discovery the male swastika coded into it. In the diagram below: The Divine Comedy’s Kamea & Swastika each of the horizontal rows denotes the 7, 1 and 4 Sum-Digit categories respectively, whereas, the vertical columns represent the Volume categories..
After this swastika discovery in La Divina Commedia’s mathematics I research the swastika to determine why Dante used it. Madam Blavatsky works: The Secret Doctrine and Isis Unveiled came in quite handy in pointing me in the right direction. A swastika can only be obtained through a 3 x 3 square: i.e. Kamea of Saturn, which led me to researching the Magic Square. Continuous analysis of Dante’s mathematics demonstrates he used several of the basic magic squares in esoteric coding La Divina Commedia. But it was the analysis of the Kamea of Saturn that would bring forth a great deal of new data. I would discovery that by working with the Sigil: [sign] of Saturn nine basic 3 x 3 squares would unfold with each of the nine numbers in the center all hosting the pattern of Sigil of Saturn. This information would bring further discoveries into Masonic Symbolism [Square, Compass & G] and the I Ching. With these nine basic kameas I was able to demonstrate that collectively the group denoting the Cardinal Quadruplicities [1, 4 & 7] and Mutable Quadruplicities [3, 6 & 9] signs of the Zodiac each produced the pattern of Masonic Symbol of the Square, Compass & G.
To facilitate the pattern the kameas using the 1, 4 & 7 have either a total of 12 or 21. There are more 12s then 21s so draw a line through the column and row denoting a total of 21. Similarly the kameas using the 3, 6, & 9 have totals of 9 or 18. There are more 18s then 9s so draw a line through the row and column that totals to 9.
Surprisingly enough La Divina Commedia also codes into its mathematics the Square, Compass & G of Masonic Symbolism. I took the 13-base three digit numbers from 115-160 and determined how many times each of them was used in a volume and then determined what percentage of verses each of them used in relationship to the entire volume of 14,233-verses. What this demonstrated to me was that the amount of times a base number was used was indicative to the percentage of the whole: 14,233-verses: there was no ‘Margin of Error’ to be found in the use of the 13-base numbers. The 28-times that Dante used these numbers in sets throughout the three volumes is reminiscence of the first 28-Hebrew letter that make up the first verse of Genesis. This no ‘Margin of Error’ alone was an incredible feat of mathematical ingenuity: especially when considering the myriad of diagrams that Dante coded into his mathematical cosmology.
Yet, when considering how many of these 13-base numbers used in each volume in relationship to their Sum-Digit categories of 1, 4 or 7 another remarkable mathematical feat Dante achieved is discovered. As was demonstrated in a previous post concerning the 33, 33, 34 and 33, 34, 33 and 34, 33, 33 patterns found in Volumes, Sum-Digits and Kameas this 13-base numbers also pulls a similar pattern to achieve the creation of an image that is akin to the Square, Compass and G of Masonic Symbolism. Each volume has its base numbers broken down into their Sum-Digit categories and given a final total: i.e. The base numbers depicting the Sum-Digit #7 is used 15-times but only 5-base numbers out of 13-base numbers are used. When placed into the 3 x 3 square the pattern depicting the Square, Compass & G of Masonic Symbolism appears.
By the way this is also why the Great Seal of the United States has 13-stars above the Eagle’s head and 13-arrows in one claw and 13-olive branches in another. Its origin is of Masonic Symbolism.
The Chinese called the Kamea of Saturn the Lo Shu. In contrast to the Masonic Symbol the Chinese used only the three basic kameas noting the Fixed Quadruplicities of Astrology [2, 5 & 8] to create the eight [8] basic Trigrams and from that all 64-hexagrams are derived. How I derived the eight basic Trigrams was via my understanding of the Zodiac/Calendar year, which the Chinese must also have known. Those columns that emit precisely the pattern of the Zodiac elements: Fire [1, 5, 9], Earth [2, 6, 10], Air [3, 7, 11] and Water [4, 8, 12] would receive a solid line and those that did not would receive a broken line. Whereas, those rows that emitted the pattern of the Star of David series: 1, 3, 6, 8 or 2, 4, 9, 11 or 5, 7, 10, 12 would receive a solid line and those that did not would receive a broken line. The Initiate can get a basic understanding from the below chart.
By my obtaining these eight Trigrams {the last two inferred by the working six} demonstrates that the Chinese knew of the Zodiac/Calendar similar to Western Civilization’s calendar. This Kamea of Saturn may well be the origins of the Yarrow Stick legend, which is said to have created the 64-Hexagrams. This pattern of the 8-Trigrams gives us the Tai Chi symbol. Another basic similarity between the Chinese and Western Civilization is the pattern of these eight Trigrams is exactly the same as that of Noah’s Ark. Is Noah’s Ark the Kamea of Saturn? I believe it is.
I had been working with the Kamea of Saturn with Dante Alighieri’s La Divina Commedia for some years when I brought a book concerning the SEVEN-DAY CYCLE. This book outlined how the author thought the Seven Day Week was instituted. He noted that many cultures around the world in different times and geodetic areas of the world had different increments of days for religious holidays: i.e. Catholicism has a different saint for each of the 365-days of the year. Other cultures in times past had every two or three or four, etc., etc. Of course the book‘s main argument was to point out that God instituted the seven-day Sabbath in the book of Genesis. One day while passing a calendar I was looking at the columns of the days of the week and in my mind’s-eye I instantly cast-out-nines and to my astonishment the sequence of numbers in the seven columns were basically all the same but far more important these patterns lined up to the horizontal patterns of numbers in the Kamea of Saturn. This initially threw me through a loop so-to-speak because there the calendar hung for all those years and I never gave it much thought other than from the yearly perspective. But thinking about the book I just mentioned above about the Seven Day Cycle I decided to see what kind of pattern would emerge if I did the same thing to each and everyone of the first nine numbers. Anything beyond that would be repetitious/redundant. I also decided to make my columns nine rows deep before repetitious/redundancy set in. I was searching in this array of nine numbers for the pattern that would demonstrate to me the pattern that would point how they related to the Kamea of Saturn. I did of course from the number seven and seven-day week have somewhat of an idea that each of the numbers would similarly relate to the patterns the Kamea of Saturn depicted.
In the above diagram I only went to eight because the pairing of the numbers one through eight [1-8]: 1 & 8, 2 & 7, 3 & 6, 4 & 5 was important to note. As can be seen each number is brought out to it’s fullest and down nine times before repetition/redundancy set in. The numbers 3, 6, 9 are unique in the Esoteric Science. These two numbers have their own rules and are not governed like the other numbers. That is probably because they are mutable numbers. The pattern of 3, 6, 9 are repeated continuously down because the system called for it. Below you will see why this is so.
Because of the base numbers one through nine [1-9] I took the last column of each numbers and set them side-by-side in nine columns and you only imagine my surprise when I realized I just produce an almost perfect matrix. It was not quite complete but instantly I saw that each direction had basically the same pattern but in reverse. The matrix was missing a left-column of nines and an above-row of nines. All columns and rows were depicting the patterns that are found in the Kamea of Saturn.
In the below chart ORIGIN OF NUMBERS MATRIX-2 the patterns found in the Kamea of Saturn are color coded for the reader’s easy pattern recognition. What is also seen at a glance is that the numbers 1-8 are paired off as noted above because they are the same but in reverse order: 1 & 8, 2 & 7, 3 & 6, 4 & 5.
The next two steps to complete the matrix are easy. Giving the ORIGIN OF NUMBERS MATRIX-2 a column of nine and a row of nine the UNIVERSAL MATHEMATICAL MATRIX is completed.
As it can be seen when I initially envisaged the Universal Mathematical Matrix the multiplication tables never enter my mind until after it was completed. Yet, if the multiplication tables up to nine were reduced to their lowest common denominators the above ORIGIN OF NUMBERS MATRIX-1 would emerge.
What is further interesting is art work I found in a work on Saint John’s Revelations depict him and seven of his commentators in the same sequence of sets as outlined in ORIGIN OF NUMBERS MATRIX-2. Notice the hand jesters and the color of the clothing.
This same pattern found in ORIGIN OF NUMBERS MATRIX-2 is also noted in the game of Chess: two rooks [1-8], two knights [3-6], two bishops [2-7] and Queen and King [4-5 respectively] and in the Sun Signs of Astrology. Notice how the Venus/Bishop is close to the sun in one instance and the moon in another: on the sides of the King and Queen. I believe this quirk has to do with the movement of Mars: a problem Johannes Kepler worked out to postulate his theory on planetary movement.
I want now to talk about the Kamea of Saturn in the first chapter of Genesis. The days of the week are paired off into sets and in doing so they create a Female Swastika. No matter how one tries the Male Swastika cannot be envisaged. However, the neutral swastika can be envisaged. That is a different story that I am not willing to discuss in this post. I will leave it for another day. The fact that the Female and not the Male Swastika is found is probably because it is hidden esoterically.
Notice how the Kamea of Saturn can depict all three swastikas. Add each cells horizontally and vertically surrounding the central cell #5. Then add the cell left or right in a continuous sequence around the matrix to create the male or female swastika. The swastika denotes the symbolism the galaxies. For the neutral swastika add each cell surrounding the central cell #5: horizontally, vertically and diagonally.
What can be also seen in this chart below is an example of the Sigil of Saturn, which produced the nine basic kameas that eventually produced the Masonic Symbolism and the I Ching as outlined above.
Finally: the three swastikas can be further analyzed if one was to draw a circle with nine parts leaving the central part of the circle blank. Now draw a line from each of the numbers sets that created the swastika: male, female or neutral. The Male Swastika creates a Fish symbol as in Christianity; the Female Swastika creates a Scarab found in the Egyptian religion, and the Neutral Swastika creates an image of the clothing and/or building found in the Chinese culture. We know that Christianity is a patriarchal religion, and Egypt found a Goddess religion [Isis] and the Chinese are neutral as noted in their Tai Chi symbol of Ying and Yang.
The Kamea of Saturn may appear at first sight to be insignificant but it produces much fruit if one is willing to do the work and mediation that is needed. Here is demonstrated the principle I have outlined in another post that the text of the Torah has an infinite depth: so does each symbol.
The initiate basically has to go the extra mile so to speak: i.e. obtaining the swastikas from the Kamea of Saturn was great. Most people would stop at that point. But it was curious to me that such a symbol is denoted in the Kamea of Saturn: WHY? This WHY forces me to play with the DEVICE: Kamea of Saturn to see if it would yield more data. It is as if you are ripping the data right out of the aeons. It is as if you the initiate becomes Prometheus: the one who steals the fire from God. Prometheus' punishment for stealing fire from the gods was to be bound to a rock and to have an eagle rip out his liver daily. What does this all symbolize. Saint John was symbolically denoted as the eagle for he was the great mystic of Christianity: he wrote Revelations. Was he not bound to a rock by being imprisoned on the Isle of Patmos. By the way Saint Paul says in one of his letters that Christ is the Rock and the Old Testament says that God is the Rock. Some would look on as if it is a grievous punishment. The mystic would call it a divine obsession: the love of God. It matters not where you are bound if you are searching for God you are bound to the Rock for you have become God's soaring Eagle..
The personal discovery of the Kamea of Saturn is a case in point as to the difficulty in making inroads to the Esoteric Science. When I began the mathematical analysis of Dante Alighieri’s La Divina Commedia and I reached the point of knowing that there was science behind the work: i.e. the pattern in the Volumes and Sum-Digits I had come to a complete stop and could not envisage how to proceed. I could envisage that the Volume pattern was vertical and Sum-Digit pattern was horizontal and in my mind-eye I could clearly see the process. But try to put that process into words is a poor thing but I did just that and summit the manuscript for copyright. I would later discovery that a Juan Roberto Sarolli of Italy had gone as far as I had in Dante’s mathematics but he also stopped at that point. Immediately after sending in the paper for copyright I had a recollection of of a childhood experience where my father came home with a brainteaser concerning placing the first nine numbers into the 3 x 3 square: tic-tac-toe grid where the first nine numbers are so placed throughout it that they added up to fifteen (15) vertically, horizontally and diagonally. I was about fourteen or fifteen at the time but it had only taken me 10-minute to my father’s surprise to work out the solution.
But the memory of that tic-tac-toe grid was the device I needed to place Dante’s mathematics into to explain my discovery. I would later in my researches discovery that Dante had to use a similar grid: The Kamea of Saturn to facilitate his mathematical cosmology. And in studying the 3 x 3 grid I was able to discern many patterns even to discovery the male swastika coded into it. In the diagram below: The Divine Comedy’s Kamea & Swastika each of the horizontal rows denotes the 7, 1 and 4 Sum-Digit categories respectively, whereas, the vertical columns represent the Volume categories..
After this swastika discovery in La Divina Commedia’s mathematics I research the swastika to determine why Dante used it. Madam Blavatsky works: The Secret Doctrine and Isis Unveiled came in quite handy in pointing me in the right direction. A swastika can only be obtained through a 3 x 3 square: i.e. Kamea of Saturn, which led me to researching the Magic Square. Continuous analysis of Dante’s mathematics demonstrates he used several of the basic magic squares in esoteric coding La Divina Commedia. But it was the analysis of the Kamea of Saturn that would bring forth a great deal of new data. I would discovery that by working with the Sigil: [sign] of Saturn nine basic 3 x 3 squares would unfold with each of the nine numbers in the center all hosting the pattern of Sigil of Saturn. This information would bring further discoveries into Masonic Symbolism [Square, Compass & G] and the I Ching. With these nine basic kameas I was able to demonstrate that collectively the group denoting the Cardinal Quadruplicities [1, 4 & 7] and Mutable Quadruplicities [3, 6 & 9] signs of the Zodiac each produced the pattern of Masonic Symbol of the Square, Compass & G.
To facilitate the pattern the kameas using the 1, 4 & 7 have either a total of 12 or 21. There are more 12s then 21s so draw a line through the column and row denoting a total of 21. Similarly the kameas using the 3, 6, & 9 have totals of 9 or 18. There are more 18s then 9s so draw a line through the row and column that totals to 9.
Surprisingly enough La Divina Commedia also codes into its mathematics the Square, Compass & G of Masonic Symbolism. I took the 13-base three digit numbers from 115-160 and determined how many times each of them was used in a volume and then determined what percentage of verses each of them used in relationship to the entire volume of 14,233-verses. What this demonstrated to me was that the amount of times a base number was used was indicative to the percentage of the whole: 14,233-verses: there was no ‘Margin of Error’ to be found in the use of the 13-base numbers. The 28-times that Dante used these numbers in sets throughout the three volumes is reminiscence of the first 28-Hebrew letter that make up the first verse of Genesis. This no ‘Margin of Error’ alone was an incredible feat of mathematical ingenuity: especially when considering the myriad of diagrams that Dante coded into his mathematical cosmology.
Yet, when considering how many of these 13-base numbers used in each volume in relationship to their Sum-Digit categories of 1, 4 or 7 another remarkable mathematical feat Dante achieved is discovered. As was demonstrated in a previous post concerning the 33, 33, 34 and 33, 34, 33 and 34, 33, 33 patterns found in Volumes, Sum-Digits and Kameas this 13-base numbers also pulls a similar pattern to achieve the creation of an image that is akin to the Square, Compass and G of Masonic Symbolism. Each volume has its base numbers broken down into their Sum-Digit categories and given a final total: i.e. The base numbers depicting the Sum-Digit #7 is used 15-times but only 5-base numbers out of 13-base numbers are used. When placed into the 3 x 3 square the pattern depicting the Square, Compass & G of Masonic Symbolism appears.
By the way this is also why the Great Seal of the United States has 13-stars above the Eagle’s head and 13-arrows in one claw and 13-olive branches in another. Its origin is of Masonic Symbolism.
The Chinese called the Kamea of Saturn the Lo Shu. In contrast to the Masonic Symbol the Chinese used only the three basic kameas noting the Fixed Quadruplicities of Astrology [2, 5 & 8] to create the eight [8] basic Trigrams and from that all 64-hexagrams are derived. How I derived the eight basic Trigrams was via my understanding of the Zodiac/Calendar year, which the Chinese must also have known. Those columns that emit precisely the pattern of the Zodiac elements: Fire [1, 5, 9], Earth [2, 6, 10], Air [3, 7, 11] and Water [4, 8, 12] would receive a solid line and those that did not would receive a broken line. Whereas, those rows that emitted the pattern of the Star of David series: 1, 3, 6, 8 or 2, 4, 9, 11 or 5, 7, 10, 12 would receive a solid line and those that did not would receive a broken line. The Initiate can get a basic understanding from the below chart.
By my obtaining these eight Trigrams {the last two inferred by the working six} demonstrates that the Chinese knew of the Zodiac/Calendar similar to Western Civilization’s calendar. This Kamea of Saturn may well be the origins of the Yarrow Stick legend, which is said to have created the 64-Hexagrams. This pattern of the 8-Trigrams gives us the Tai Chi symbol. Another basic similarity between the Chinese and Western Civilization is the pattern of these eight Trigrams is exactly the same as that of Noah’s Ark. Is Noah’s Ark the Kamea of Saturn? I believe it is.
I had been working with the Kamea of Saturn with Dante Alighieri’s La Divina Commedia for some years when I brought a book concerning the SEVEN-DAY CYCLE. This book outlined how the author thought the Seven Day Week was instituted. He noted that many cultures around the world in different times and geodetic areas of the world had different increments of days for religious holidays: i.e. Catholicism has a different saint for each of the 365-days of the year. Other cultures in times past had every two or three or four, etc., etc. Of course the book‘s main argument was to point out that God instituted the seven-day Sabbath in the book of Genesis. One day while passing a calendar I was looking at the columns of the days of the week and in my mind’s-eye I instantly cast-out-nines and to my astonishment the sequence of numbers in the seven columns were basically all the same but far more important these patterns lined up to the horizontal patterns of numbers in the Kamea of Saturn. This initially threw me through a loop so-to-speak because there the calendar hung for all those years and I never gave it much thought other than from the yearly perspective. But thinking about the book I just mentioned above about the Seven Day Cycle I decided to see what kind of pattern would emerge if I did the same thing to each and everyone of the first nine numbers. Anything beyond that would be repetitious/redundant. I also decided to make my columns nine rows deep before repetitious/redundancy set in. I was searching in this array of nine numbers for the pattern that would demonstrate to me the pattern that would point how they related to the Kamea of Saturn. I did of course from the number seven and seven-day week have somewhat of an idea that each of the numbers would similarly relate to the patterns the Kamea of Saturn depicted.
In the above diagram I only went to eight because the pairing of the numbers one through eight [1-8]: 1 & 8, 2 & 7, 3 & 6, 4 & 5 was important to note. As can be seen each number is brought out to it’s fullest and down nine times before repetition/redundancy set in. The numbers 3, 6, 9 are unique in the Esoteric Science. These two numbers have their own rules and are not governed like the other numbers. That is probably because they are mutable numbers. The pattern of 3, 6, 9 are repeated continuously down because the system called for it. Below you will see why this is so.
Because of the base numbers one through nine [1-9] I took the last column of each numbers and set them side-by-side in nine columns and you only imagine my surprise when I realized I just produce an almost perfect matrix. It was not quite complete but instantly I saw that each direction had basically the same pattern but in reverse. The matrix was missing a left-column of nines and an above-row of nines. All columns and rows were depicting the patterns that are found in the Kamea of Saturn.
In the below chart ORIGIN OF NUMBERS MATRIX-2 the patterns found in the Kamea of Saturn are color coded for the reader’s easy pattern recognition. What is also seen at a glance is that the numbers 1-8 are paired off as noted above because they are the same but in reverse order: 1 & 8, 2 & 7, 3 & 6, 4 & 5.
The next two steps to complete the matrix are easy. Giving the ORIGIN OF NUMBERS MATRIX-2 a column of nine and a row of nine the UNIVERSAL MATHEMATICAL MATRIX is completed.
As it can be seen when I initially envisaged the Universal Mathematical Matrix the multiplication tables never enter my mind until after it was completed. Yet, if the multiplication tables up to nine were reduced to their lowest common denominators the above ORIGIN OF NUMBERS MATRIX-1 would emerge.
What is further interesting is art work I found in a work on Saint John’s Revelations depict him and seven of his commentators in the same sequence of sets as outlined in ORIGIN OF NUMBERS MATRIX-2. Notice the hand jesters and the color of the clothing.
This same pattern found in ORIGIN OF NUMBERS MATRIX-2 is also noted in the game of Chess: two rooks [1-8], two knights [3-6], two bishops [2-7] and Queen and King [4-5 respectively] and in the Sun Signs of Astrology. Notice how the Venus/Bishop is close to the sun in one instance and the moon in another: on the sides of the King and Queen. I believe this quirk has to do with the movement of Mars: a problem Johannes Kepler worked out to postulate his theory on planetary movement.
I want now to talk about the Kamea of Saturn in the first chapter of Genesis. The days of the week are paired off into sets and in doing so they create a Female Swastika. No matter how one tries the Male Swastika cannot be envisaged. However, the neutral swastika can be envisaged. That is a different story that I am not willing to discuss in this post. I will leave it for another day. The fact that the Female and not the Male Swastika is found is probably because it is hidden esoterically.
Notice how the Kamea of Saturn can depict all three swastikas. Add each cells horizontally and vertically surrounding the central cell #5. Then add the cell left or right in a continuous sequence around the matrix to create the male or female swastika. The swastika denotes the symbolism the galaxies. For the neutral swastika add each cell surrounding the central cell #5: horizontally, vertically and diagonally.
What can be also seen in this chart below is an example of the Sigil of Saturn, which produced the nine basic kameas that eventually produced the Masonic Symbolism and the I Ching as outlined above.
Finally: the three swastikas can be further analyzed if one was to draw a circle with nine parts leaving the central part of the circle blank. Now draw a line from each of the numbers sets that created the swastika: male, female or neutral. The Male Swastika creates a Fish symbol as in Christianity; the Female Swastika creates a Scarab found in the Egyptian religion, and the Neutral Swastika creates an image of the clothing and/or building found in the Chinese culture. We know that Christianity is a patriarchal religion, and Egypt found a Goddess religion [Isis] and the Chinese are neutral as noted in their Tai Chi symbol of Ying and Yang.
The Kamea of Saturn may appear at first sight to be insignificant but it produces much fruit if one is willing to do the work and mediation that is needed. Here is demonstrated the principle I have outlined in another post that the text of the Torah has an infinite depth: so does each symbol.
The initiate basically has to go the extra mile so to speak: i.e. obtaining the swastikas from the Kamea of Saturn was great. Most people would stop at that point. But it was curious to me that such a symbol is denoted in the Kamea of Saturn: WHY? This WHY forces me to play with the DEVICE: Kamea of Saturn to see if it would yield more data. It is as if you are ripping the data right out of the aeons. It is as if you the initiate becomes Prometheus: the one who steals the fire from God. Prometheus' punishment for stealing fire from the gods was to be bound to a rock and to have an eagle rip out his liver daily. What does this all symbolize. Saint John was symbolically denoted as the eagle for he was the great mystic of Christianity: he wrote Revelations. Was he not bound to a rock by being imprisoned on the Isle of Patmos. By the way Saint Paul says in one of his letters that Christ is the Rock and the Old Testament says that God is the Rock. Some would look on as if it is a grievous punishment. The mystic would call it a divine obsession: the love of God. It matters not where you are bound if you are searching for God you are bound to the Rock for you have become God's soaring Eagle..
Replies to This Discussion
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Permalink Reply by Paul Martyn-Smith on -
Hi William - you cover a lot of ground in this article, indeed to which I know many will relate to in their own work.
As far as the Magic Square of Saturn goes it does indeed give many values that can be related to many things, which we can call 'The Work'. The first knowledge we have of it comes (as you point out) from the ancient Chinese Text's of 'The Changes' - the Book of Law or Changes. A book used in government of the people and also of personal path of conduct based on the Sacred Laws of the Mountain (The Nine-Stack, Kalachakra or Time Wheel Thread, and the Sri Yantra). This Sacred Mountain appears consistently throughout our cultural history under various names such as Sumeru or Meru, and it is indeed mentioned by the Greeks as is the Square of Cronus/Saturn who is the god of Time.
In the math's of the Lo Shu or Square of Saturn there has been much work done of late by various people, this is on its values and totals, and on the geometric construction it gives. The values of the Lo Shu do give the same values as found throughout the working's of 'The Changes', which makes it of interest throughout all the various fields of investigation - but in the math's of 'The Changes' it doesn't stand alone, it is the last or the external River, a written document. The first of the 2 River Maps is the Ho Tu, and the values used in this map and therefore the Lo Shu are given in the values of Heaven and Earth 1 to 10 (The Original Trigrams of Ch'ien and K'un, the Father and Mother)- they appear to me as a combined unite of progression through which we find both the measure time and the unite of division or measure called 'The Means'.
I viewed your article with great interest as it mentions the same details as I would also mention and do, but again it comes from just one part of a working whole, to which instruction is given on how the union of the Lines, Trigrams, and Hexagrams work together within the 5 Elements or the 5 squares of values generated in the Ho Tu.
Sorry I'm short of time at present, so can I point you toward my site and free download of a 330 + book and to many posts on GHMB, for now. If you do find anything of interest in what I have already put forward then I will find the time to converse in depth on the points of interest you have raised. I shall indeed read your work and ideas again, but you could also look at the sites of Lee Burton, Derek Skhane, Stephen Dail, Michael Hayes, and others who have also done much great work on the subject.
All the best, and I shall return soon to debate points you raise on the math - Paul.
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Permalink Reply by William John Meegan on -
Paul:
Thank you for your comments they were interesting and most welcomed. You gave a few sites that I definitely will look up. I also visited your site and took a quick glance at your Kamea of the Moon in relationship to the I Ching. Dante Alighieri also used the Kamea of the Moon in his mathematical composition of La Divina Commedia and it will be interesting if that relate in anyway to what you have developed.
I can not get back to commenting again on this at the moment for I am in the midst of moving and with such a large library it is a pain. However, it is a given that I will get to it within a few weeks. I want to visit all the sites you mentioned first and to research the materials you mentioned.
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Permalink Reply by Paul Martyn-Smith on
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Hi William and Daniel.
Yeah I should have mentioned the links on my site. Rob Miller's site on geometric and math that I find also to relate to my own investigations is a must - I should have mentioned him in list. Lee Burton would really interest you as he also has spent a long time working on the Lo Shu and its links to Solfeggio etc.
6s, 7s, or 6 and 7 steps or days and 40 light and 40 dark values, plus the whole narrative of the Winter Solstice (the time when the dark or inner part is full) as the time of rebirth of the light in the dark cave of the Goddess (Goddess of the Hunt and her symbolic animals) does give a lot of credit to your words. The opposites of the male and female are placed into the vessel as pairs, and each of the opposites does have an animal image attached to it. The image's of the animals are part of the mathematical narrative of the I Ching but it was also a means of instruction for the people, the nature of each animal is reflected in our own animal nature (a universal nature of ONE). The narrative of the Law of the Forest or Jungle is much as Kipling describes it, the forces portrayed in the nature of the animals explains the drives of the body producing movement or action on the field.
The I Ching or the Book of Law gives Judgment's and Commentaries on cause and effect, in that we mentally view the past and day-dream also about the future in order to make things how we personally desire them to be, the middle position is therefore in the NOW, and this middle is clear and empty in the pure experience of it. In Treading a correct path the Tiger (Khan of the Jungle) doesn't turn around and eat the man who treads upon his tail. The tail moves to and fro as the opposites of movement, as through contention these opposites are the forces of creation - the tail of the Tiger being black and yellow denotes the colours of Heaven and Earth. The practice is to find the middle position between the created ends (movement of the tail) that are an appendage just added to carry out 'The Work'. The movement of the Tiger or rule is balanced by the movement of the tail, so this has a deep physical and psychological message within what we have seen as a simple tale or myth. Understanding the symbolic animals and their nature give us a grounding in the universal law of creation which is portrayed in the story of 'The Hunt' and 'The Wedding Ceremony' between The Mountain and The Joyous Lake (Trigrams Ken and Tui).
As in Hebrew, the Pig is seen as the lesser or inferior part, the animal, as the Wild Pig or Boar in Chinese texts is hunted by the Tiger or the King or ruler (the rule). The Pig is the physical body that if it charges at the ruler is shot through the heart (the seat of emotions). It is the heart that is weighed against the Feather of Ma'at (the Law) that flutters to and fro down into a position of rest. A heart that is clear of duplicity and guile, of a person who has not acted out of the intention of gain or loss ( murder and the thief or the 2 robbers), who has overcome the visions and thoughts of attachment and aversion to an already perfect nature is clear of the power fire (inner visual and thought activity) and is allowed to enter the realm of the dead (Western Mountain of Osiris).
This means that we move the seat of government or rule from the head to the inherent wisdom within the body, and therefore the Master does not think beyond the present situation - and thereby gives-up the world as having no Me or Mine. The Master goes into his own courtyard and doesn't see the people, in that his own body is the only country that he governs by keeping to the Law by treading the Middle Way (only watches their own conduct and doesn't judge others). This is what is meant by 'Firm within, yielding without', as then the inherent wisdom within all created things leads the way forward, and in this wisdom there is great power without the use of any force intent to change the world into one's own image perfection when it's already perfected - this is the cause of all worry, care, and doubt in the wisdom of the ruler or source which moves all things and has brought order out of the dark chaos of the void.
This practice gives a way of just being without the attachment or aversion of a personal self, as then Self becomes universal and whole and is no longer divided into 2, as duality is only 'The Means' or 'The Tool's of The Work' of creating the Vessel.
When we return to the law we return to the source 'NOW', the unchanging, the constant, as the people and the town change but the flow from the source or spring in 'The Well' remains the same - being beyond all changes of time space. It's said that from time to time the mud must be cleared from the well and the sides and curb stones repaired. This denotes we are not just the created body that is born of inherent change which starts in the hidden levels of energy contained within the structure of matter, and which only becomes visible through the entwined action of the opposites. In transcending the opposites we find our nature is eternal in the NOW - beyond all changes in the cycles of time (an illusion of the means). This might seem as rubbish but it fits into our present view of physics, and into the investigation of psychology, in which through reflection humans have the ability to return to the source that stands before all beginnings and ends of change. The Chinese texts give much detail on this.
All the best with moving all the books - Paul.
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Permalink Reply by Paul Martyn-Smith on
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Hi William.
I don't know whether you have looked at the progressions of the values in the 'Magic Square of the Well' but the values you give are the same. The values in the 'Square of the Well' give a Trigram sequence all = 9 as opposites a cross the square, as The Family of Trigrams = the Father and Mother have 6 further binary combinations called 'The Children'. There are the Eldest, Middle, and Youngest Sons and Daughters, and each pairing are binary opposites. The sequence of the Ho Tu matches the Lo Shu and the Lo Shu matches the Magic Square of the Well. In the Sequence of the Family of Trigrams 1 goes to 8, and to confirm the values 4 to 5 gives the Hexagram of 'The Well'. The Square of the Well can be seen on page 631 in Wilhelm's Editions, and in Appendix A of my own work.
In the values of Heaven and Earth from 1 to 10 Heaven = the odd, and Earth the even values, These are given in the Ho Tu as 4 outer pairings plus a central 5th pairing. The main problem in fitting the Trigrams into the math's of the Ho Tu is that 10 values are given, so most have just taken the Trigrams as fitting the 8 outer values of the Ho Tu, but if each of the values of Heaven and Earth are taken as the binary trigrams of Ch'ien and K'un that have all broken lines and all unbroken lines then each of the pairing's of each Element and the 5 directions are made up of a pairing of Heaven and Earth. In this way when the value's of the Trigrams are ascertained an 8 x 8 square is formed in each of the 5 directions.
It has long been known that the Chinese and Bonpa used the 5 Elements or the 5 Squares instead of 4. The construction of the 5 Central Square is the key the correct Trigram Sequence in each of the River Maps as it gives the Central Value of all the 4 Outer Squares because the Trigrams and then the Hexagrams are symmetrically placed in all of the 4 squares 8 x 8.
You speak of the links to the Book of Genesis and indeed within the manufacture of the Lo Shu the Ho Tu uses 40 light and 40 dark numbers (the binary opposites of the Trigrams of Heaven and Earth) that are all x 6 (I give an idea of how this wrks in the book and especially Chp., 5 and Appendix A. The Ho Tu in total makes a 9 x 9 Square when the Central Value is included, and the total is then 270 = 5 and 540 = 10, so 15 does = 810. The manufacture of the Hexagrams through the 40 light and dark values then gives x 7s, and indeed the comments on the Ho Tu says it constructs the vessel or the hollowed out boat (the hollowed out contains fire as in Prometheus as the vessel is the created vessel or body which contains the fire within it). There is more than just a similarity between this set of maths and the narrative given in the I Ching with Sumerian, Egyptian, and Hebrew or Greek workings, and what we have referred to as Myth through all ages.
All I can say at this stage is that you use same values as to how the Lo Shu has been seen to relate to the Selfeggio, and to the GPs, but these are not my own fields and I only cover how the values of the Maps give the structure of the values of Time - I then give hints as to the various aspects that might arise from the the working's of the I Ching. We are looking at a way to convert a binary progression into natural integers as a geometric progression, and that Time is a natural product of 64 cubes or Hexagrams (as an image of a cubic Hexagons = lines and faces visible and hidden). The natural base is 3,6,9 but the working's of the Hexagrams are constructed through 3 to give 6s, 9s, 12s, 18s, 24s and 36s x 10s. The base of all values are + 5 that then progress as a decimal x 10s, the Ho Tu = + 5s and the placing together of all binary opposites = + 10s = the Lo Shu.
The values of the Ho Tu = 1 to 6, 2 to 7, 8 to 3, and 9 to 4, with the central value of 5 to 10s. The average value of the Outer Squares (called the quarters or seasons) = 2160 and this is a quarter of the hours in a 360 day year. In the total of all values in the Ho Tu that make the Lo Shu in which a value of 8640 is given as 4320 light and 4320. In the Lo Shu the addition of 4320 and 8640 = 12,960 x 2 = 25,920 (I give the working's of the Lo Shu's values also in Appendix but a full display of my working is given by Ken Taylor at Earlyheaven.com - go to Origins, Ho Tu and Lo Shu). With the addition of the extra or 7th part these values are taken from the 360 to the 365 day year (8630/72 = 120 hours or 5 days), and from 12,960 to 13140. In the division of 25,920 by 27 = 960 the Hindu division Precession is given but also the 28th part can then be added.
I wish all the best in your investigations - Paul.
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Permalink Reply by Paul Martyn-Smith on
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Hi John. News on the Work.
Through Rodin's Torus and the directions given in the Book of Changes Lee Burton and I have undone, the sub-atomic lattice codes (the Di Vinci - Flower of Life Codes are undone. We have the codes to run a sub-atomic lattice computer that is central to the universal source or The Well = a constant eternal power source which is a singularity (above created time space = outer lines, or energy dimensions with in the Lattice = inner lines).
This is a long story cut short as I have been accredited with the undoing of the Sothic Cycles, and of linking them to the Venus,Sun, Earth, and Lunar cycles - but this is the point of the pyramid, as this also uncovers Pythagorus' Theorem and the divisions of the circumference of the Sphere of Earth - we get the exact values. . The codes of the Binary in the Images of Heaven and Earth (the Trigrams/Trines) placed into the Ho Tu and the Lo Shu. Any we have undone the Di Vinci codes as hidden in Magdalena = Field Pattern of Versica Pisces, that gives a central image of the Cubic Diamond 'The Jewel' at the heart of the Sacred Flower but the diamond also fit as meeting at the center of the circle. The lattice is the square and the hexagons give straight lines used by the Bees, as this gives the energy lattice of the lines (Squares) and the movement of the light lines in the degrees of the Circle.
I wish you all the very best, the branches of the growing point are found in the maths (as in the 16 Petal Lotus = 16 + 1 = 17 =8, so now we know why The Lotus and The Tree was considered sacred as the maths fits both the growing point which is the spine and the placement of its branches as already contained in the point. In this all values 1 to 10 gives 6s through the trines, and then 7s when added to is placement so in the 8 x8 Square of Mercury 1 + 6 = 7 and this goes on through every Decimal expansion and contraction +1/-1.
So to conclude, the Sothic Cycle to the other Planets and their Magic Squares, as the Torus is an expansion and contraction from the little Mustard Seed of integers 1 to 10 to it spiral expansion = 1.6. Many Thanks - Paul. I know credit must be given to the investigations of others in these matter but the work has come from the texts of the Book of Changes that is The Book of Eternal Law (that which was lost is now found).
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Permalink Reply by Paul Martyn-Smith on
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The codes of the energy within or the Fire is now balanced with its opposite Water, in this all things come forth into the formation of the outer Field or Lattice, as through the Flower of Life (the Net or the Basket) in which all things are caught-up or contained.
You work is correct and I hope we can come to a mutual understanding. I have, with Lee been posting the codes and the workings on GHMB, so I hope you enjoy when reading them together with the Book of Changes (The Laws of Change). Regards - Paul.
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